Decentering Molière

VOLUME 52, NUMBER 3

Current Issue

The current issue of Theater (Volume 52, Number 3: Decentering Molière) edited by Bentoît Bolduc, Sylvaine Guyot, Christophe Schuwey, and Tom Sellar features an Aristist Rountable with Elizabeth LeCompte, Gideon Lester, Faustin Linyekula, Peter Sellars, Ashley K. Tata, and Kate Valk, and essays by: Rebekah Ahrendt, Faith E. Beasley, Jan Clarke, Mark Franko, Sara Harvey, Edwige Keller-Rahbé, Judith G. Miller, Martial Poirson, Jennifer Row, Lewis C. Seifert, Anna Sollazzo, Guy Spielmann, Frédéric Tinguely, and Rachel M. Watson

  • Decentering Molière: An Introduction
    By Christophe Schuwey, Sylvaine Guyot, Benoît Bolduc
  • In the foreground, two white actors kiss on the ground; in the background, a white man appears through a trapdoor in the stage floor, staring at the kissing figures Queer Molière?
    By Lewis C. Seifert
  • Decentering Disability: Louis Béjart’s Crip Social Gain, Onstage and Off
    By Jennifer Row
  • Democracy versus Autocracy: A Re-examination of the Role of Company Leader (1658–80)
    By Jan Clarke
  • Molière in Constantinople
    By Frédéric Tinguely
  • A Black man (Fasutin Linyekula) in a colorful shawl speaks into a handheld mic and gestures with an upturned palm as two panelists (Liz LeCompte, Peter Sellars) look on Everything Moves: Theater Artists on Molière and the Decentered Stage
    By Elizabeth LeCompte, Faustin Linyekula, Peter Sellars, Ashley K. Tata; Kate Valk, Gideon Lester, Tom Sellar