THEATER 48.2
VOLUME 48, NUMBER 2
Our latest issue features “Theater Under Nationalism: Eastern Europe,” a special section that explores the response of theater artists and critics to the nationalism and xenophobia sweeping Europe with a focus on the former Eastern bloc countries. With contributions from Russia, Slovenia, Hungary, and Poland, this section examines the wide-ranging consequences—both aesthetic and political—for artists, and modes of resistance and critique staged in the midst of nationalist fervor. (A companion section on “Xenophobia, Nationalism, and American Theater” will be published this fall.)
