• In the foreground, out of focus, a performer sits on a sofa looking out. Another performer watches in the background with a hand placed anxiously at their collar.
    An Oral History of Catch as Catch Can, Part IV
    by Christine Mok

    Michael Esper played Theresa and her son Tim Phelan in Page73’s premiere production of Mia Chung’s

  • Two performers gather around kitchen table, covered in a floral tablecloth and aluminum serving trays over warmers. There is an open cardboard box downstage.
    An Oral History of Catch as Catch Can, Part III
    by Christine Mok

    Jeanine Serralles played Lon and his daughter Theresa Lavecchia in Page73’s premiere production of Mia Chung

  • Two performers sit at a table with cups of tea, speaking animatedly.
    An Oral History of Catch as Catch Can, Part II
    by Christine Mok

    Jeff Biehl played Roberta and her son Robbie Lavecchia in Page73’s premiere production of Mia Chung’s

  • An Oral History of Catch as Catch Can, Part I
    by Christine Mok

    Mia Chung’s play Catch as Catch Can

  • Students protest outside of the SZFE building both on the street and on the building's balcony.
    Learning Republic: Students and Teachers from Hungary’s Theater and Film University Build an Alternative to Autocracy
    BY Alisa Solomon

    Forthcoming in Theater Volume 53, Number 2

  • On René Pollesch
    By David Levine

    I arrived in Berlin in 2004, with my tail between my legs.

  • Hettie, a Black woman with curly hair, Petra, a white woman with a shaved head, and tiny community participant, a young white girl, finding sanctuary in color, from Vincent Van Gogh's Asylum Garden painting. All three people reach toward the yellow battery of Petra’s disability scooter. Behind them, the fake grass of an installation extends towards the gray building and tall windows of Lincoln Center.
    Crip/Mad Archive Dances
    BY Petra Kuppers

    Arts-Based Methods in and out of the Archive

  • Milo Rau: A Selection of Production Reviews

    Milo Rau’s work—the focus of Theater Volume 51, Number 2—presents a challenge to critics.

  • A Theater of Transparency in the Age of Extraction

    Lily Climenhaga and Piet Defraeye, the intrepid guest co-editors of Theater’s special issue on director Milo Rau, connected with Rau in Spring 2021 for a wide-ranging conversation about his work.

  • Black, White, and Blue flyer of Goat Island Flyer
    Theater Magazine Presents: A Goat Island Archive Forum Recording
    Proposed by Nicholas Lowe and Mark Jeffery

    What can be learned by engaging an archive with live performance?

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